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The BANFF 2001 schedule contains more chances to pitch than ever before. And the benefits of participating are enormous.
BANFF 2001 pitching sessions are most importantly chances to win development
funding prize money for your project. However, they also give you, your company,
and your project valuable exposure to broadcasters, potential co-production
partners, the media and others . . . exposure that money can't buy! And they
can potentially lead to deals that pave the way to getting your show on television
and computer screens around the world.
Here is a brief outline of how and where you can pitch at BANFF 2001.
CTV Canadian DOCUMART - The Richest Pitch in the WorldEntry Deadline: Closed| Details | Finalists | | en français | |
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CTV Inc. has donated $100,000 in development funding to be awarded at BANFF
2001 to the top three popular mainstream documentary pitches as follows: $50,000
for first place, $30,000 and $20,000 for the two runners-up. This pitching opportunity
is open to Canadian independent producers and international independent producers
who have a Canadian partner and are pitching a project that will qualify as
Canadian content under prevailing Government of Canada regulations or international
co-production treaties. Project ideas must be submitted in advance using the
on-line Entry Form. An independent
panel of judges will review eligible submissions and select six finalists to
pitch in person at the Festival. These six finalists will each have 10 minutes
to make their pitch to an assembly of commissioning editors who will select
the winners at the completion of the session.
$10,000 in development funding courtesy of Bell Broadcast and New Media Fund
will be awarded to a new media project that pushes the boundaries of interactivity
using two to three delivery platforms and media such as wireless, television,
and the Internet. Projects must be submitted in advance using the on-line Entry
Form. The CyberPitch jury will choose three or four projects from these
submissions to be pitched in person at the Festival.
A total of $15,000 US will be awarded by NHK (Japan Broadcasting Corporation)
and Discovery Networks, USA, to an innovative program or series idea that will
use the advantages of High Definition television to enhance content. Projects
must be submitted in advance using the on-line Entry
Form. The HDTV jury will choose three or four projects from these submissions
to be pitched in person at the Festival.
Independent producers have an opportunity to pitch their projects to a world
market of programmers, financiers, and buyers. Festival President & CEO
Pat Ferns and Executive Vice-President Jacques Bensimon will host this session,
calling upon commissioning editors and programmers in attendance to explore
the financing and production opportunities of each pitch. Projects must be submitted
in advance using the on-line Entry
Form. Three or four projects will be chosen from these submissions to be
pitched in person at the Festival.
Emerging producers will have the opportunity to pitch projects to broadcasters
and commissioning editors who, in turn, may choose to question the producer
further during a private meeting. An emerging producer is someone who has no
more than one producer credit to his or her professional career. Projects must
be submitted in advance and an on-line form will be made available by mid-February,
2001. Up to 20 projects will be chosen from these submissions to be pitched
in person at the Festival.
This is a two-part event offering Festival delegates the opportunity to secure
development funding for a television project. The first part is a must-attend
session on Monday where two Commissioning Editors negotiate the terms of a tender
for a program proposal. Delegates will then be able to submit their own one-page
proposals by deadline on Wednesday. Commissioning Editors will choose three
or four proposals to be pitched in person on Friday.